The Red Wheelbarrow
This is the forty-third installment of The
Curious Creative, weekly 10-minute writing exercises for busy
individuals interested in exploring their creativity. For the complete
rationale, click here.
My Thoughts:
William Carlos Williams
was both a modernist and imagist poet. Imagism called for precise imagery and
direct, clear language. By focusing on one single image and describing it with “luminous details”
as imagist poet, Ezra Pound, called them, the reader can experience the image’s essence. “The Red Wheelbarrow” is
one of Williams’ most famous imagist poems:
The Red Wheelbarrow
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
With a phrase like “so
much depends upon,” the reader is left to fill in the blanks. Williams’ success
is not only what he chose as his “luminous details,” but also that he picked an
everyday object that, for most people, has many uses, connotations, and
memories packed into it.
In this week’s exercise,
you will also describe some everyday objects that have been lying around your
house or your backyard, and choose one packed with the most meaning to create a
poem modeled after Williams’. Your creative play will be the “luminous details”
you choose.
Your Turn!
- Choose five tangible items from your home or wherever you are doing this writing exercise. Observe them closely. In writing, describe each briefly.
- Choose one item from your list and write a poem based exactly on “The Red Wheelbarrow,” by coping the lines "so much depends/ upon" and keeping the line and stanza lengths. Fill in the rest with your description of the object you chose.
- “Red,” “glazed with rain water,” and “beside the
chickens” were the only three details Williams included. Your poem need
not have more than three descriptive details, and they can be just as
simple. Notice that Williams chose a color, a visual detail about its
texture, and what the item is juxtaposed next to. Feel free to use these
categories to guide you if you are stumped.
How did you do? Did the “luminous details” you chose, in fact, shine?
Did following a model, in terms of phrases and line/stanza lengths help you
focus on and isolate a few simple, yet, powerful details? Were you able to pack
enough connotation into the particular object you chose?
To encourage each other and grow a
community of Curious Creatives, sign in from a google account so you can share
your creation in the comment box below. Also, if you subscribe to this blog
(submit your email address in the "Follow this Site by Email" box to
the right), you will get an email update whenever a new exercise is added.
Thanks for playing!
Source: Inspired by teacher Stacy Chestnut’s exercise from
her creative writing class at East High School, Wichita, KS, September 2017.
so much depends
ReplyDeleteupon
the skeins of
yarn
not yet wound
tightly
into their intended
creations
I love that word, skein. So similar to skin. I imagine layers of skin wound on a reel in Frankenstein's lab before he makes his creation! :)
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